Underwater Blues

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Two criminals take a trip up the coast of California. As they arrive at a small town- what should just be a small stop on the way- one of them begins...

A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.

Life drums the playfulness out of a boy as he grows up.

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the...

An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which...

Impressions on the topic of plastics set to Vivaldi's Winter: blizzard, dancing moons, beats ice, sparkling silver crystals, petrified wood frozen.

An abstract experimental short film from Jordan Belson.

Roberto aka Bob, travels to the enchanting Island of Puerto Rico for a major construction job, takes on issues affecting the island and digs deeper...

One of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage (1876-1954). Based on Lesage's...

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs...

On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice...

White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.

Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were...

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite....

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Short film by Mary Ellen Bute